I MORN A GREAT WRITER - Arthur C. Clark

This is one of the Science Fiction writers, along with Asimov and Heinlein, that started me loving SiFi in general. I will sorely miss him.

"Arthur C. Clarke, 90; scientific visionary, acclaimed writer of '2001: A Space Odyssey'" by Dennis McLellan, Los Angeles Times

Arthur C. Clarke, who peered into the heavens with a homemade telescope as a boy and grew up to become a visionary titan of science-fiction writing and collaborated with director Stanley Kubrick on the landmark film "2001: A Space Odyssey," has died. He was 90.

The knighted British-born writer died early Wednesday in Colombo, Sri Lanka, where he had made his home for decades, after experiencing a cardio-respiratory attack, his secretary, Rohan De Silva, told Reuters.

Clarke wrote scores of fiction and nonfiction books (some in collaboration) and more than 100 short stories -- as well as hundreds of articles and essays. Among his best-known science-fiction novels are "Childhood's End," "Rendezvous With Rama," "Imperial Earth" and "2001: A Space Odyssey."

Deemed a scientific prophet, Clarke foretold an array of technological notions in his works such as space stations, moon landings using a mother ship and a landing pod, cellular phones and the Internet.

"Nobody has done more in the way of enlightened prediction," science-fiction author Isaac Asimov once wrote.

"I'd say he was the major hard science-fiction writer -- that is, the writer of science fiction that is scientifically scrupulous -- in the second half of the 20th century," UC Irvine physics professor Gregory Benford, an award-winning science-fiction author who collaborated with Clarke on the 1990 science-fiction novel "Beyond the Fall of Night," told The Times in 2005.

George Slusser, author of the 1978 book "The Space Odysseys of Arthur C. Clarke" and curator emeritus of UC Riverside's Eaton Collection -- the world's largest publicly accessible collection of science fiction, fantasy, horror and utopian fiction -- ranks Clarke as one of the three greatest science-fiction writers of all time.

"Clarke, along with Asimov and [ Robert A.] Heinlein, is unique in that his human dramas are determined by advances in science and technology," Slusser, a professor of comparative literature, said in 2005. "He places his characters in a near future where science has changed the way we live and the possibilities for adventure.

"Clarke incarnates the essence of [science fiction], which is to blend two otherwise opposite activities into a single story, that of the advancement of mankind."

His remarkable record of foreseeing future technologies led him to be known as "the godfather of the telecommunications satellite."

A radar pioneer in the Royal Air Force during World War II, Clarke wrote a 1945 article in Wireless World magazine in which he outlined a worldwide communications network based on fixed satellites orbiting Earth at an altitude of 22,300 miles -- an orbital area now often referred to as the Clarke Orbit.

Clarke's seminal article, for which he received $40, was published two decades before Syncom II became the world's first communications satellite put into geosynchronous orbit in 1963.

For pioneering the concept of communications satellites, Clarke received a number of honors, including the 1982 Marconi International Fellowship and the Charles A. Lindbergh Award.

His literary career soared with the success of his 1951 nonfiction book "The Exploration of Space" and his critically acclaimed 1953 science-fiction classic "Childhood's End."

"Rendezvous with Rama," his 1973 novel about a space probe sent to explore an enormous celestial object speeding through the solar system that turns out to be a mysterious alien spacecraft, was one of Clarke's greatest critical successes.

It won the prestigious Nebula, Hugo and John W. Campbell awards for best novel, as well as the British Science Fiction Associate Award, the Locus Award and the Jupiter Award.

His collaboration with Kubrick to create a work about man's place in the universe began in 1964 when he was in New York City to complete his work on the Time/Life book "Man and Space."

What I want," Kubrick repeatedly told Clarke, "is a theme of mythic grandeur."

Inspired in part by Clarke's short story "The Sentinel," about the discovery of an alien artifact on the moon, the two men began their collaboration with weeks of brainstorming sessions.

"Perhaps because Stanley realized that I had low tolerance for boredom, he suggested that before we embarked on the drudgery of the script, we let our imaginations soar freely by writing a complete novel, from which we would later derive the script," Clarke wrote in the foreword to the millennial edition of "2001: A Space Odyssey."

This is just the first page of the 3 page article.